These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc. It does not store any personal data.Īnalytical cookies are used to understand how visitors interact with the website. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". Set by the GDPR Cookie Consent plugin, this cookie is used to record the user consent for the cookies in the "Advertisement" category. This cookie is set as default session Cookie name in config.php in config folder in CodeIgniter. These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. Goldblatt won numerous awards including the 2006 Hasselblad award, the 2009 Henri Cartier-Bresson Award, and the 2013 ICP (International Center of Photography) Infinity Award.ĥ9 lots offered 81.36 % sold ZAR 5 703 257 He was the first South African to have a solo exhibition at the Museum of Modern Art in New York, in 1998, and exhibited at Documenta 11 and 12 in Kassel, Germany, and the 54th Biennale in Venice in 2011. Goldblatt founded the Market Photography Workshop in Johannesburg in 1989, and published numerous books on his work including On the Mines (with Nadine Gordimer, Struik 1973), Some Afrikaners Photographed (Murray Crawford, 1975), and In Boksburg (The Gallery Press, 1982). Although his work was not overtly politically charged, it documented and reflected the social circumstances and struggles of life under apartheid and the country’s landscapes altered by human occupation. He regarded himself as an observer and a critic of South African society, not an activist, and a photographer rather than an artist. William Kentridge, Deborah Bell and Robert Hodginsĭavid Goldblatt became a full-time photographer in the 1960s after selling the family clothing store he inherited from his parents.Robert Hodgins in collaboration with Marguerite Stephens.The Brenthurst Press for The Friends of the Johannesburg Art Gallery.
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